Harris Dickinson
Harris Dickinson (born 24 June 1996) is an English actor. He began his acting career in British television. He had his first starring role in the drama film Beach Rats (2017), for which he was nominated for the Independent Spirit Award for Best Male Lead. He played John Paul Getty III in the FX drama series Trust (2018). Dickinson has since starred in the films Maleficent: Mistress of Evil (2019), The King's Man (2021), Triangle of Sadness (2022), Where the Crawdads Sing (2022), The Iron Claw (2023), and Babygirl (2024), along with the miniseries A Murder at the End of the World (2023). He has received nominations for two BAFTA Awards. In 2025, Dickinson made his feature film directorial debut with Urchin, which premiered at the 2025 Cannes Film Festival and won him the FIPRESCI Prize. Description above is from the Wikipedia article Harris Dickinson, licensed under CC-BY-SA; full list of contributors is on Wikipedia.
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Full Filmography
All Credits (35)
The Beatles: Ringo
as John Lennon
The Beatles: Paul
as John Lennon
The Beatles: George
as John Lennon
The Beatles: John
as John Lennon
Urchin
as Nathan
Blitz
as Jack
The Iron Claw
as David Von Erich
A Murder at the End of the World
as Bill Farrah
Scrapper
as Jason
Don't Look at the Demon
as Ben
See How They Run
as Richard Attenborough
Where the Crawdads Sing
as Chase Andrews
The King's Man
as Conrad Oxford
The Souvenir: Part II
as Pete
Femme
as Wes
County Lines
as Simon
Oats & Barley
as Tom
Maleficent: Mistress of Evil
as Prince Phillip
Matthias & Maxime
as McAfee
The Kelly Clarkson Show
as Self
The Dark Crystal: Age of Resistance
as Gurjin (voice)
Postcards from London
as Jim
The Darkest Minds
as Liam Stewart
Trust
as J. Paul Getty III
Beach Rats
as Frankie
Clique
as Sam
Variety Studio: Actors on Actors
as Self
Chicken Shop Date
as Self - Guest
Chicken Shop Date
as Self - Guest (archive footage)
Battle Lines
as Stanley
Late Night with Seth Meyers
as Self - Guest
Some Girls
as Tonka
The Jonathan Ross Show
as Self - Guest
Silent Witness
as Aaron Logan
The Oscars
as Self